A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. 95 grams, 70 mm

Fine condition.

Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639.

Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.

A bronze figure of a seated magistrate, holding a sceptre, wearing a robe with details of lotus scrolls to the hem; cap inscribed 'Wang Ping Jiang', the reverse inscribed 'Jing Yi'; mounted on a custom-made wooden stand. 2.3 kg, 32 cm high

Fine condition; old repair, cracked at lower edges.

Formerly in a private Dutch collection. Property of a private Rotterdam collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11565-196103.

A lightly gilded necklace composed of a trichinopoly chain and large bifacial terminals, possibly representing budding flowers, adorned with filigree granules and spirals with openwork spirals between the bifurcated arms. 91 grams total, 76.5 cm long



Acquired from Artemis Antiquities, Colorado, USA. Important North West London collection.

A human mask carved from a block of jade with lateral piercings for attachment at the temple and lower ear, prominent nose and lips, recessed eyes to accept inlay; mounted on a custom-made display stand. 1.1 kg total, 20 cm high including stand

Chipped

with Throckmorton Fine Arts, 1990s. English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11720-199826.

Carved from jade, the most highly prized material of the ancient Maya, this mask displays a naturalism suggestive of a specific individual of importance. Other known examples appear to emphasise the supernatural or aspects of particular deities.

A ceramic figure of a squatting male with the arms folded round the knees, mouth opened to form a spout and top of head open to form a socket, banded decoration to the body. 234 grams, 12.2 cm high



Acquired in the 1990s. English private collection.

This seated figure appears to be speaking or in song. The flared cheeks may also represent ritual piercing of the mouth, a unique feature of the art of ancient West Mexico and displayed on some Nayarit sculptures.

A carinated ceramic bowl with short neck, everted rim and rounded base, densely painted geometric motifs to the rim interior and upper body; stylised human face or 'mask' incised to the underside. 904 grams, 22 cm wide



Ex S.A.R. La Principessa Reale Maria Beatrice Di Savoia. with Christie's, London, 22 April 2005. English private collection

A complete fossil Barasaurus besairiei skeleton on a matrix. 2.37 kg, 23 cm wide



From Plateau de I'lsala, Madagascar. Acquired 1950s-1960s. From an old Bristol, UK, paleontological collection.

Barasaurus is an extinct genus of the Owenettid procolophonoid parareptile.

A very large fossil fish mortality plate displaying at least thirteen complete fish of various sizes. 16.4 kg, 99 cm wide



From a Lincolnshire, UK, collection.

A coarse pottery footed offering dish with inverted rim and conical body, likely used for cereals; from a mastaba in the pyramid field associated with Khufu, builder of the Great Pyramid. 214 grams, 11.7 cm



From an old UK collection. From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent. Accompanied by an identification display card. Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt.

A translucent carnelian scarab with detailing to the head, body and legs; drilled for suspension. 5.98 grams, 22 mm

Fine condition.

Acquired 1979-1999. London collection of the late Mr S.M., thence by descent.

A light green faience miniature pilgrim flask with pierced handles and two lug feet, bifacial decoration displaying a stylised flower head to one face and a lotus(?) motif to the other. 36 grams, 59 mm high



Acquired 1980s. Private UK collection. Property of a Sussex, UK, teacher.

A limestone figure modelled in the half-round, lying naked on a rectangular bed, executed with semi-naturalistic anatomical detailing, voluminous coiffed hair and painted necklace, armbands and distinctive ornamental girdle at the waist; accompanied by a custom-made display stand. 109 grams total, 11.5 cm including stand

Fine condition.

with Secret Eye Gallery, New York City, 1977. with Arte Primitivo, New York, USA, 8 October, 2003, lot 66. Private collection of Professor Kenneth Graham, London, UK. Accompanied by an original Arte Primitivo catalogue page. Accompanied by a scholarly note by Egyptologist Paul Whelan.

This syncretic figure combines the Egyptian goddess Isis and the Greek goddess Aphrodite, a deity popular from the 3rd century B.C. into the Roman Period, who embodied aspects of fertility, marriage, and childbirth.