Modelled in the half-round, profile figure with drinking horn, attached to a fragment of leather strap. 2.84 grams, 34 mm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Executed in repoussé technique, a dome to each arm likely representing the Five Wounds of Christ, together with punched annulets and other details. 6.56 grams, 51 mm



From the collection of a North American gentleman, formed in the 1990s.

With a thick penannular loop and polyhedral finial set with twelve garnet cloisons, some detached. 6.36 grams, 34 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

Spiral-coiled wrist-clasps of Hines's Class A with one broad rounded loop to the centre and one returned hooked loop. 11.5 grams total, 36-38 mm



Ex property of a gentleman; acquired in the 1970s.

The spiral-coil type of wrist clasp is the earliest form of an artefact type which became a very popular costume element in especially Norway and the English East Midlands in the early Anglo-Saxon Period. Grave-finds indicate that they were used to secure the cuffs of robes worn by high-status women.

Carved in the half-round frieze fragment or devotional sculpture of the Madonna del Fuoco, facing female in wimple and long robe with her right arm bent forward, left arm extended above a child gripping the folds of her robe; billowing flames surrounding the pair; mounted on a custom-made stand. 10.55 kg total, 37.7 cm including stand



Acquired Lukas Pearsie, Suffolk, 2012. Property of a Kent collector. From the N.J. collection, Leicester, UK.

Comprising: nimabte figure of Mary, dressed in voluminous robes, arms crossed at the chest and pierced through the edges; nimabte figure of John wearing voluminous robes, gazing down with a solemn expression on his face, hands clasped at the waist, pierced through the edges. 57.2 grams total, 61 mm each



Private collection, UK.

Flat-section cruciform mount with stub arms and attachment point at one end; high-relief saltires, hoops and other detailing. 357 grams, 21.5 cm



Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s.

Both saints shown nimbate and dressed in voluminous robes, Mary's long hair cascading down her shoulders and holding an ointment jar in her hands. 74.9 grams total, 57-58 mm



Private collection, UK.

Pointed outer edge on rounded loop, bifid knop on either end of the strap bar, surface decorated with stylised vegetal ornaments. 253 grams, 95 mm



Private collection, UK.

These buckles usually have one rectangular and one rounded D-shaped loop on either side of the central bar. During the late 16th and 17th centuries the range of asymmetrical buckles becomes very wide.

Comprising a keeled hoop with two raised discoid bosses on the shoulders, raised bezel with a regardant beast. 9.41 grams, 26.25 mm overall, 18.78 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Depicting the Holy Trinity, represented by three winged figures, each with a three-prong staff, sitting on stools around a table with three cups, trees and the outline of a cathedral behind. 67.5 grams, 62 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The subject is based on the traditional Russian interpretation of Genesis,18, in which three figures appear to Abraham at the oak tree of Mamre. The central figure is usually identified as Jesus Christ, while God the Father is on the right and the Holy Spirit on the left. The subject of the icon originated from a very famous 15th century painting by Andrei Rublev.

Comprising: profile male and female busts in carnelian and other stones; each supplied with a museum-quality impression. 4.66 grams total, 14-18 mm



Private collection, England.