Proof etching on laid paper of plate 16 from Vol .I of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Environs du Kaire. Plan particulier de l'île de Roudah, du vieux Kaire et du Gyzeh. 238 grams, 105.5 x 69.5 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea).

Sizeable wedjat-eye amulet with applied black detailing to the pupil and brow. 16.5 grams, 50.4 mm



with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016.

The wedjat-eye amulet symbolises the healed eye of the god Horus, representing both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and later restored by Thoth. The wedjat-eye amulet was believed to protect its wearer and confer qualities of recovery and regeneration. It was highly popular and was used by both the living and the dead.

With lightly incised anatomical detailing to the scarab; the underside with a central cartouche flanked by two rearing crowned uraei, a pair of falcons standing above the cartouche facing a smꜣ hieroglyph symbolising union (of the two lands, Upper and Lower Egypt); set into a later gold swivel ring. 4.34 grams, 26.44 mm overall, 15.68 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)



with Bonhams, London, UK, 21 October 1999, no.36. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12370-226696.

Carved in a typical pose, sitting on its haunches with its tail curving around the right side, its front paws resting on its knees and protruding beneath its thick furry pelt, with incised detailing, its feet either side of the phallus, the head with bulbous, striated hair on either side, chipped, snout restored; seated on a high shrine-shaped plinth with squared front and rounded back, featuring a cavetto cornice and roll detailing on the upper part. 1.15 kg, 15 cm



From a deceased American estate, 1970-1989. with Bonhams, London, 28 October 2009, no.35. Accompanied by copies of the relevant Bonhams catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12368-226706.

The baboon was an animal manifestation of the god Thoth, the patron deity of Hermopolis Magna, who was revered for his association with knowledge, writing, and healing.

Proof etching on laid paper of plate 50 from Vol I of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française, titled Le Kaire. Plan particulier de la ville. 231 grams, 106 x 69.5 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea).

Plaque with transverse piercing; four addorsed wedjat motifs with black detailing. 31.6 grams, 64 mm



Ex J Bird private collection. Ex Cambridgeshire, UK, collection.

A bifacial flint arrowhead with a pronounced hollow-base form. 2.55 grams, 35.6 mm



From the late collection of a Cornish couple, formed from the early 1990s.

Many hollow-base flint arrowheads were uncovered during excavations at Neolithic sites in Egypt, such as the Fayum region (cf. British Museum EA58736) and Merimde Beni Salama in the Delta (cf. Petrie Museum of Egyptian Archaeology UC10909).

Proof etching on laid paper of plate 98 from Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Vue de l'Esplanade ou Grande Place du port neuf et de l'Enceinte des Arabes, Seconde partie. 233 grams, 105 x 66.5 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor).

Detailed carapace and head, underside with animals and wedjat motif; pierced longitudinally. 6.65 grams, 24 mm



Mrs Allinson to Mrs Foster, 1867 and thence by descent to the current owner, Stanley Crescent, London, UK.

This scarab design has been dated to the 18th Dynasty, though originals or copies have been found at Naukratis and at other sites in the Mediterranean, dated from the 8th to the 5th centuries BC.

Showing the jackal deity Wepwawet standing with ears pricked on a sledge, the slender body modelled with long legs and a tail, suspension loop on the back; two rearing cobras before the jackal; mounted on a custom-made display stand. 54 grams, 91 mm (162 grams total, 11.7 cm including stand )



Ex Dr R. and Mrs L.B., Zumikon, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12627-236406.

This object may have been the decorative element of a ceremonial standard, examples of which have survived (cf. Petrie, W.M.F., Tanis: Part II / Nebesheh (Am) and Defenneh (Tahpanhes), London, 1886, pl. VII, no. 3). Wepwawet, meaning "Opener of the Ways," was an ancient Egyptian god associated primarily with warfare, protection, and funerary practices. Depicted as a jackal or a man with a jackal's head—often mistaken for Anubis—Wepwawet was believed to guide souls through the afterlife and open paths both in battle and in the spiritual realm. He originated in Asyut (ancient Lycopolis) in Upper Egypt and was one of the oldest deities in the Egyptian pantheon, with worship dating back to at least the First Dynasty (c. 3100–2900 BCE). Over time, Wepwawet became closely linked to Anubis, and the two were sometimes conflated, though Wepwawet retained his distinct identity as a god who preceded and cleared the way. In military contexts, Wepwawet was invoked to "open the way" for pharaohs and armies, ensuring victory and safe passage. In funerary texts, he was described as clearing the path to the afterlife, acting as a scout or guide for the deceased.

With a round face, large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners; the forehead with a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand



Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408.

The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).

Four-strand designer necklace composed of polychrome beads of mainly disc and cylindrical types. 27.4 grams, 69.5 cm



Acquired before 1979. From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.

For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable, and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.